rock a bye baby lyrics

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Rock-a-Bye Baby lyrics | Nursery rhymes lyrics, Baby lullaby lyrics, Baby lyricsRock-a-bye baby"Rock-a-bye baby"Publishedc. 1765 "Rock-a-bye baby" is one and . It has a number of 2768. Rock-a-bye BabyContentsLyrics[]The first printed version of 's Melody (London, c. 1765) has the following letters: The version of Melody or Sonetos by Mother Goose for the Cuna (London, 1791) contains the wording: The version of Songs for the Nursery (London, 1805) contains the wording: Alternate letters as shown in The Real Mother Goose (Rand McNally ' Co., Chicago) published in 1916: The most common version used today is[]: The full version letters are: Another alternative is []: History[]The Oxford Dictionary of Nursery Rhymes (1951) identifies rhyme as the first English poem written on American soil, suggesting it dates back to the seventeenth century and may have been written by an English colonist who observed the way in which native American women shook their babies in cribs, which were suspended from the branches of the trees, allowing the wind to shake the baby to sleep. The words appeared printed in England c. 1765. In Derbyshire, England, the local legend tells that the song relates to a local character at the end of the 18th century, Betty Kenny (Kate Kenyon), who lived with her husband, Lucas, and her eight children in a huge yoke in the , where a hollow branch served as a cradle. However, another theory has that the letters refer to events immediately prior to the . The baby is supposed to be the son of , who was widely believed to be the son of another person smuggled into the delivery room to provide a Roman Catholic heir to James. The "wind" may be that the Protestant "wind" or the force of "blocking" or coming from the Netherlands bring the nephew and the son-in-law of James, who eventually put King James II in the revolution (the same "" that had saved England from a century earlier). The "cruz" is the real one. The first recorded version of the words in print appeared with a footnote, "This can serve as a warning to the Proud and Ambitious, which rise so high that they generally fall to the end," which can be read as support for a satirical meaning. Another theory is that the song is based on a 17th century ritual that took place after a newborn baby had died. The mother would hang the boy from a basket on a branch in a tree and expect to see if he would return to life. The line "when the branch breaks the baby will fall" would suggest that the baby was dead weight, as heavy as breaking the branch. Another theory is that the song is from the British Navy of the 17th century to describe the 'treehead, or cradle' (now commonly known as the nest of ravens) the powdered boys (or the kids in the cabin) had to climb also to keep a look out. If you take into account that this was the highest point of the ship and read the letters with this thought the Nursery Rhyme makes perfect sense. "When the wind blows, the cradle shakes," the highest point in the ship shakes more. "When the branch breaks, the cradle will fall." The Bough is the front of the ship, and the bough breaking describes the front of the ship breaking a wave. "And the baby, the cradle and everything will come down." It was almost a common place that the cradle would break during a storm. Another possibility is that the words began as a "drop" rhyme - a used one while a baby is being bitten and sometimes thrown and trapped. An early rhyme of dance is quoted in the book of Oxford Nursery Rhyme that has some similarity: Publication[ ] The words appeared for the first time in the impression in the Melody of Mother Goose (London, c. 1765), possibly published by (1713-1767), and was reprinted in Boston in 1785. Rock-a-bye as a phrase was first recorded in 1805 in 's Songs for the Nursery, (London, 1805). Melody[] It is not clear whether these early rhymes were sung to any of the now familiar songs. At some point, however, the melody based on Lillibulero and the letter of 1796, with the word "Hush-a-bye" replaced by "Rock-a-bye", must have gathered and achieved a new popularity. A possible reference to this re-emergence is in an announcement in the newspaper in 1887 for a performance in London by a group with a "new" American song called 'Rock-a-bye': ", St James's-hall TODAY to 3, TONIGHT to 8, when the following new and charming songs are sung... The great American song of ROCK-A-BYE..." This minstrel song, as well as that of the nursery rhymes quoted above or not, was clearly an immediate success: a subsequent announcement for the same company in the November 8 edition of the newspaper promises that "The new and charming American round, called ROCK-A-BYE, which has achieved an extraordinary degree of popularity in all the cities of America will be SUNG in every performance." If this is, in fact, the same song, then this implies that it was an American and already popular composition there. An article in the New York Times of August 1891 (p. 1) refers to the melody played in a parade in Asbury Park, N.J. and clearly for this date the song was well established in America. The newspapers of the period, however, credit their composition to two separate persons, both residents in: one is (later called Ms. Effie D. Canning Carlton and the other composer Charles Dupee Blake. Melody also has echoes of the opening of Max Reger's variations on a Mozart theme, Opus 132. See also[]References[]abcExternal links[] Navigation menu Personal tools Named spaces Variants Views More Search Navigation Contributed Tools Printing/exporting Other projects Languages

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